Working
remotely
The house-bound
skeleton
Not eating much
Drinking too
much
Dressing
occasionally
Climbs the
stairs
To log in to
daily zoom
Jaw locked in perpetual
grin
©2021 Muriel
Thumm
Working
remotely
The house-bound
skeleton
Not eating much
Drinking too
much
Dressing
occasionally
Climbs the
stairs
To log in to
daily zoom
Jaw locked in perpetual
grin
©2021 Muriel
Thumm
My friend said, “Take this,
it’s more you than me. My
boss
brought it back from Italy.”
“Little Italy,” I said. “It’s
just
a version of Fendi.”
Offended,
she left. If perfumeries, in
their
flimflammery can depose attar
of rose
to mere coal tar perversion,
why not
“Inversion of Fendi?” Instead
of attracting,
this perfume could repel,
excite
if only for the length of a
smell
with the option to create one’s
own world,
to corrupt a perfume which
once could be counted on
to deliver essence of lily to
my earlobe
and a man to my feet,
when I still wanted that. And
why should I when
the real essence of our time
together isn’t love
but approximation brought on
by proximity, by shared toothbrush
holders,
pajama bottoms, colognes, a
belabored labor
of clasps and gasps and
orange juice
spiked with disinterest.
So maybe I go shopping. Maybe
the scent draws
me in to someone else’s
funeral where I find
Lily, rich and falling over
in bloom. Maybe I doubted her
existence,
essence not aroma but supine
elegance
created solely to disturb my
equilibrium.
But am I kidding myself?
Initially, bouquets
were placed at head and feet
so you could approach
the corpse without gagging.
Corpses
don’t stink these days, but
banks
of flowers scream, “Dead
person ahead!”
And it’s my life which smells
of embalming fluid until I
sense
the real essence of flowers,
and at a kneeling rail
for supplicants like me, I
discover what happens
to those who want only to
worship her
cascades of bloom, not the
rot
in the casket, not here where
they are tucked
and trussed so tightly in
imposed bouquets
there is no room for individuality,
and even her colors run
together and are stained
with that vein of purple
blood which links
us all to each other, where
artistic impulse ends
in the grave, a pool of mud
where someone
other than us is bent
on tidy categories, strings
of delineation
that keep flowers and women
nameless and aromatic.
I want to say I cut her free,
but she was cut
anyway and no one could touch
her essence. I want to say
I drove out that night,
leaving you, and now my own life
lures me along new high ways
and solitary lanes
where untidiness is all I
speak of,
defending Fendi herself.
©2021 Muriel Thumm
I want a room I've never entered before
A pen I've never held
Blank paper
Bare chair
I'll sign a confession, but my stipulation?
I write the body of the confession
I'll confess to everything that I have ever done
I'll confess to things I wish I had done
I'll confess to things I never would have done
I'll confess to the blackest thing you can think of
in your heart...in my heart
Well, I didn't exactly do this blackest thing
but the Bible says thinking about doing it
is as bad as doing it, doesn't leave any margin
Oh, let me confess in a bare room
with a pen of no nomenclature
a quill even
on a steady piece of paper
and in a firm hand
© 2019 Muriel Thumm
Maybe in the morning
with
trees against clouds
my headache will be gone
like
thin boundaries of time
Maybe in the morning
so
easy the slip
he’ll come for me again
into
the frame of my life
Maybe in that morning
in
my life I’ll see them
when he’s no longer here
in
my own space, but
Maybe in some morning
with
membranes against the sky
I’ll see rainbows in the trees
leaves
eaten by worms.
© 2022 Muriel Thumm
We
never invested in it, you and I
so
it never did go any further. Miles apart now,
but
no further apart than we were,
we,
who never gave it a nickel’s worth of passion,
maybe
an arm around the shoulders on Carson’s Beach
where
you shared your jacket as we leaned up against
that
tree and I could paint a picture like that,
but
it still seems like there’s not enough paint to cover it
all
in sepia. Did you feel it, too? The non-feeling
and
then, standing up once more, we felt the wind
in
our faces, my hair blew into your teeth
finally
giving up for something better –
him,
her – not you, not me.
Skirt
flying straight back, molding my legs
but the
wind had the only passion –
when
it blew past, there was no heat exchange,
just
bold breeze looking for a cheek to stroke,
but
passing so quickly, it had no time
to
feel the coldness of the moment,
the
catch and caw of the crow over the sands
not
even a phrase that would catch a passerby
and
make him strain for the rest
we
were far beyond anything a seashell would listen to,
harbor,
and pass on next year to another on the beach,
plunging
her feet in the sand until
the
moist undersand cooled the pads of her feet
like
the bottom of a well is always cool,
even
in a dry season, the memory of water remains
and
will my memory of you remain
or
did it go off with that wind?
Copyright
2016 Muriel Thumm
Bittersweet
(or What’s in a Name?)
He climbed down the bank
alongside the canal
to cut some bittersweet
with his penknife
for me
We in our sixties and dare I say
bittersweet years? Diabetes
taxing his heart
Me, devising meals for a diabetic
He braves the bank
slippery from rain
and carries as many gnarly twigs
as he can in one arm
reserving one arm for climbing
back over the railing
A brier I love for its colors,
slight disclosure of its red berry,
(The way our passion is muted
and kept under wraps)
as much as for its name –
bittersweet
Out of favor with gardeners
moving in and strangling
their favored plantings
bittersweet seems to find pleasure
in pleasing him pleasing me
©2019 Muriel
Thumm
My brother at 14
sat
on the kitchen
stool
stock between his
knees
played with the
trigger
and put a hole in
the ceiling
When he was 18
and in the Army in
Germany,
the house burned
down
around that hole
The hole didn’t
burn
It’s all I have
left
of that childhood
home
a hole
©2021 Muriel Thumm
She was dying She was always dying The newest and most original ailments kept coming We took a bathos in her pathos U...